
Meditation on Violence (1949)
Chao-Li Chi shadow boxes indoors and practices with a sword outdoors. Theoretically, the film describes in a single continuous movement three degrees of traditional Chinese boxing, Wu-tang, Shao-lin, and Shao-lin with a sword. A long sequence of the ballet-like, sinuous Wu-tang becomes the more erratic Shao-lin; in the middle, there is an abrupt change to leaping sword movements, in the center of which, at the apogee of the leap, there is a long held freeze-frame.
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Cast
|
Chao-Li Chi | As: Himself |
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Storyline
Chao-Li Chi shadow boxes indoors and practices with a sword outdoors. Theoretically, the film describes in a single continuous movement three degrees of traditional Chinese boxing, Wu-tang, Shao-lin, and Shao-lin with a sword. A long sequence of the ballet-like, sinuous Wu-tang becomes the more erratic Shao-lin; in the middle, there is an abrupt change to leaping sword movements, in the center of which, at the apogee of the leap, there is a long held freeze-frame.
Tagline: | |
Certification: | Unknown |
Cast
|
Chao-Li Chi |
Himself |
Directed By
|
Maya Deren |
Director |
Writing Credits
|
Chao-Li Chi |
Writer |
|
Maya Deren |
Writer |
Production Crew
Edited By
Costume and Makeup
Sound
|
Teiji Ito |
Music |
Visual Effects
Camera
Lighting
Art Department
Other Crew
|
Maya Deren |
Cinematography |
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