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Cast
Teodor Currentzis | As: Self – Conductor | |
musicAeterna | As: Self – Orchestra |
Storyline
For Mahler, symphonies always were a means of interpreting the most convoluted philosophical problems that couldn’t be resolved verbally. The ambitious structure of the five-part Fifth Symphony spans from the Funeral March to the roaring finale. It is a forthright attempt to resolve the tragic conflict with the surrounding world. The brilliant fourth part of the symphony, Adagietto, resembles a beautifully mysterious flower that every conductor reimagines in their own style. As one of the twentieth century’s most influential maestros, Mahler redefined the conductor’s role. For him, the conductor is just as integral to his own musical works as they are to the composer. When a maestro steps onto the podium and opens the score, he recreates musical universes from scratch. Teodor Currentzis and the musicAeterna orchestra have performed Mahler’s symphonies around the world for many years. The Fifth Symphony has earned its place as one of the highlights of the cycle.
Tagline: | |
Certification: | Unknown |
Cast
Teodor Currentzis |
Self – Conductor |
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musicAeterna |
Self – Orchestra |
Directed By
John Blanch |
Director |
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Writing Credits
Production Crew
Laurent Lesperon |
Producer |
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Edited By
Costume and Makeup
Sound
Gustav Mahler |
Original Music Composer |
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Théo Theres |
Sound Engineer |
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Teodor Currentzis |
Conductor |
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Maximilien Ciup |
Recording Supervision |
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Alexey Retinsky |
Original Music Composer |
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Visual Effects
Camera
Julien Jaunet |
Director of Photography |
Lighting
Art Department
Other Crew
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