A YEAR WHOSE DAYS ARE LONG (1992)
A jail setting juxtaposed against the wedding of Princess Diana on television thrusts both post modern irreverence and reification of icons onto the refracted visceral harshness of a spartan locked environment, capturing both the confining artifice of modern life and the all too real loss of liberty experience by women in prison.
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A jail setting juxtaposed against the wedding of Princess Diana on television thrusts both post modern irreverence and reification of icons onto the refracted visceral harshness of a spartan locked environment, capturing both the confining artifice of modern life and the all too real loss of liberty experience by women in prison.
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Juliet Belmas |
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