
User rating:
Cast
|
Renée Fleming | As: Violetta Valéry |
|
Joseph Calleja | As: Alfredo Germont |
|
Thomas Hampson | As: Giorgio Germont |
|
Monika-Evelin Liiv | As: Flora Bervoix |
|
Eddie Wade | As: Il barone Douphol |
Storyline
Renée Fleming has matured into one of the finest sopranos around at the moment, a true star with a sparkling personality and a velvet-toned voice that is capable of wringing the finest emotions out of works by Strauss and Tchaikovsky that from a lesser singer could sound rather cold and clinical. I wouldn't have thought her voice would be so well suited to Violetta Valéry in La Traviata, and it does take some getting used to, but I think she at least brings a distinct quality to the role with an emotional heart that isn't always necessarily there when a leading diva uses it primarily as a display for her vocal talents. It's served well also by Antonio Pappano's conducting of the Royal Opera House Orchestra in a traditional, but effective production by Richard Eyre.
Tagline: | |
Certification: | PG |
Cast
|
Renée Fleming |
Violetta Valéry |
|
Joseph Calleja |
Alfredo Germont |
|
Thomas Hampson |
Giorgio Germont |
|
Monika-Evelin Liiv |
Flora Bervoix |
|
Eddie Wade |
Il barone Douphol |
|
Kostas Smoriginas |
Il Marchese d'Obigny |
|
Antonio Pappano |
|
|
Richard Wiegold |
Il dottor Grenvil |
|
Orchestra of the Royal Opera House |
Self - Orchestra |
Directed By
|
Richard Eyre |
Director |
Writing Credits
|
Francesco Maria Piave |
Writer |
|
Alexandre Dumas fils |
Novel |
Production Crew
Edited By
Costume and Makeup
|
Bob Crowley |
Costume Design |
Sound
|
Giuseppe Verdi |
Original Music Composer |
|
Antonio Pappano |
Conductor |
Visual Effects
Camera
Lighting
|
Jean Kalman |
Lighting Coordinator |
Art Department
Other Crew
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