The New-Ark (1969)
Beginning as a city-symphony of Newark streets, buildings, and people set to wordless chanting, The New-Ark quickly arrives at its political imperatives: Black Power must be accomplished through nationalism, and "a nation is organization." The film focuses on black education, urban public theater, and political consciousness-raising inside and outside of Spirit House - director Amiri Baraka's Black nationalist community center.
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Cast
Amiri Baraka | As: Self | |
Maulana Karenga | As: Self |
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Storyline
Beginning as a city-symphony of Newark streets, buildings, and people set to wordless chanting, The New-Ark quickly arrives at its political imperatives: Black Power must be accomplished through nationalism, and "a nation is organization." The film focuses on black education, urban public theater, and political consciousness-raising inside and outside of Spirit House - director Amiri Baraka's Black nationalist community center.
Tagline: | |
Certification: | NR |
Cast
Amiri Baraka |
Self |
|
Maulana Karenga |
Self |
Directed By
Amiri Baraka |
Director |
|
Writing Credits
Amiri Baraka |
Writer |
Production Crew
Edited By
Costume and Makeup
Sound
Edward Spriggs |
Sound |
|
Visual Effects
Camera
James E. Hinton |
Director of Photography |
|
Rufus Hinton |
Camera Operator |
|
Lighting
Art Department
Other Crew
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