User rating:
Cast
Charles Bronson | As: Arthur Bishop | |
Jan-Michael Vincent | As: Steve McKenna | |
Keenan Wynn | As: Harry McKenna | |
Jill Ireland | As: The Girl | |
Linda Ridgeway | As: Louise, Steve McKenna's Girlfriend |
Storyline
Arthur Bishop is a veteran hit man who, owing to his penchant for making his targets' deaths seem like accidents, thinks himself an artist. It's made him very rich, but as he hits middle age, he's so depressed and lonely that he takes on one of his victim's sons, Steve McKenna, as his apprentice. Arthur puts him through a rigorous training period and brings him on several hits. As Steven improves, Arthur worries that he'll discover who killed his father.
Tagline: | He has 100 ways to kill... and they all work! |
Certification: | PG |
Cast
Charles Bronson |
Arthur Bishop |
|
Jan-Michael Vincent |
Steve McKenna |
|
Keenan Wynn |
Harry McKenna |
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Jill Ireland |
The Girl |
|
Linda Ridgeway |
Louise, Steve McKenna's Girlfriend |
|
Frank De Kova |
The Man |
|
James Davidson |
Intern |
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Lindsay Crosby |
Policeman |
|
Steve Cory |
Messenger |
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Tak Kubota |
Yamoto |
|
Patrick O'Moore |
Old Man |
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Martin Gordon |
American Tourist |
|
Celeste Yarnall |
The Mark's Girl |
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Athena Lorde |
Old Woman |
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Alison Rose |
Young Girl |
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Howard Morton |
Car Polish Man |
|
Enzo Fiermonte |
The Mark |
|
Gerald Peters |
Butler |
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Steve Vinovich |
Party Guest |
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Robert Jaffe |
Party Guest |
|
Kevin O'Neal |
Party Guest |
|
Kenneth Wolger |
1st Hippie |
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Trina Mitchum |
3rd Hippie |
|
Amando De Vincenzo |
Priest |
Directed By
Peter Price |
Assistant Director |
|
Antonio Tarruella |
Second Unit Director |
|
Mel Efros |
Second Assistant Director |
|
Jerome M. Siegel |
Assistant Director |
|
Francesco Cinieri |
Assistant Director |
|
Michael Winner |
Director |
|
Betty Crosby |
Script Supervisor |
|
Pamela Carlton |
Continuity |
|
Writing Credits
Lewis John Carlino |
Screenplay |
|
Lewis John Carlino |
Story |
|
Production Crew
Henry Gellis |
Associate Producer |
|
Clifton Brandon |
Production Manager |
|
Mario Mariani |
Production Manager |
|
Hal W. Polaire |
Production Supervisor |
|
Vittorio Noia |
Production Manager |
|
Lynn Stalmaster |
Casting |
|
Robert Chartoff |
Producer |
|
Irwin Winkler |
Producer |
|
Edited By
Frederick Wilson |
Editor |
|
Michael Winner |
Editor |
|
Frederick Wilson |
Supervising Editor |
|
Costume and Makeup
Phil Rhodes |
Makeup Artist |
|
Lambert Marks |
Costumer |
|
Sound
Burdick S. Trask |
Sound Mixer |
|
Russ Hill |
Dialogue Editor |
|
Terry Rawlings |
Sound Editor |
|
Maurice Askew |
Sound Re-Recording Mixer |
|
Don MacDougall |
Sound Re-Recording Mixer |
|
Brian Paxton |
Sound Recordist |
|
Jerry Fielding |
Original Music Composer |
|
Visual Effects
Camera
Richard H. Kline |
Director of Photography |
|
Robert Paynter |
Additional Photography |
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Lighting
Colin J. Campbell |
Gaffer |
|
Art Department
Robert De Vestel |
Set Decoration |
|
Eugene Booth |
Property Master |
|
Barry Wilkinson |
Props |
|
Ray Traynor |
Property Master |
|
Herbert Westbrook |
Art Direction |
|
Rodger Maus |
Art Direction |
|
Other Crew
Richard Albain |
Special Effects |
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Greg Anderson |
Stunts |
|
Frank Orsatti |
Stunts |
|
Alan Gibbs |
Stunt Coordinator |
|
J.N. Roberts |
Stunts |
|
James M. Halty |
Stunts |
|
David Watson |
Stunt Driver |
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