User rating:
Cast
Charles Bronson | As: Arthur Bishop | |
Jan-Michael Vincent | As: Steve McKenna | |
Keenan Wynn | As: Harry McKenna | |
Jill Ireland | As: The Girl | |
Linda Ridgeway | As: Louise, Steve McKenna's Girlfriend |
Storyline
Arthur Bishop is a veteran hit man who, owing to his penchant for making his targets' deaths seem like accidents, thinks himself an artist. It's made him very rich, but as he hits middle age, he's so depressed and lonely that he takes on one of his victim's sons, Steve McKenna, as his apprentice. Arthur puts him through a rigorous training period and brings him on several hits. As Steven improves, Arthur worries that he'll discover who killed his father.
Tagline: | He has 100 ways to kill... and they all work! |
Certification: | PG |
Cast
Charles Bronson |
Arthur Bishop |
|
Jan-Michael Vincent |
Steve McKenna |
|
Keenan Wynn |
Harry McKenna |
|
Jill Ireland |
The Girl |
|
Linda Ridgeway |
Louise, Steve McKenna's Girlfriend |
|
Frank De Kova |
The Man |
|
James Davidson |
Intern |
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Lindsay Crosby |
Policeman |
|
Steve Cory |
Messenger |
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Tak Kubota |
Yamoto |
|
Patrick O'Moore |
Old Man |
|
Martin Gordon |
American Tourist |
|
Celeste Yarnall |
The Mark's Girl |
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Athena Lorde |
Old Woman |
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Alison Rose |
Young Girl |
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Howard Morton |
Car Polish Man |
|
Enzo Fiermonte |
The Mark |
|
Gerald Peters |
Butler |
|
Steve Vinovich |
Party Guest |
|
Robert Jaffe |
Party Guest |
|
Kevin O'Neal |
Party Guest |
|
Kenneth Wolger |
1st Hippie |
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Trina Mitchum |
3rd Hippie |
|
Amando De Vincenzo |
Priest |
Directed By
Francesco Cinieri |
Assistant Director |
|
Peter Price |
Assistant Director |
|
Jerome M. Siegel |
Assistant Director |
|
Antonio Tarruella |
Second Unit Director |
|
Mel Efros |
Second Assistant Director |
|
Michael Winner |
Director |
|
Pamela Carlton |
Continuity |
|
Betty Crosby |
Script Supervisor |
|
Writing Credits
Lewis John Carlino |
Screenplay |
|
Lewis John Carlino |
Story |
|
Production Crew
Henry Gellis |
Associate Producer |
|
Clifton Brandon |
Production Manager |
|
Mario Mariani |
Production Manager |
|
Hal W. Polaire |
Production Supervisor |
|
Vittorio Noia |
Production Manager |
|
Robert Chartoff |
Producer |
|
Irwin Winkler |
Producer |
|
Lynn Stalmaster |
Casting |
|
Edited By
Frederick Wilson |
Editor |
|
Michael Winner |
Editor |
|
Frederick Wilson |
Supervising Editor |
|
Costume and Makeup
Phil Rhodes |
Makeup Artist |
|
Lambert Marks |
Costumer |
|
Sound
Russ Hill |
Dialogue Editor |
|
Brian Paxton |
Sound Recordist |
|
Terry Rawlings |
Sound Editor |
|
Burdick S. Trask |
Sound Mixer |
|
Maurice Askew |
Sound Re-Recording Mixer |
|
Don MacDougall |
Sound Re-Recording Mixer |
|
Jerry Fielding |
Original Music Composer |
|
Visual Effects
Camera
Richard H. Kline |
Director of Photography |
|
Robert Paynter |
Additional Photography |
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Lighting
Colin J. Campbell |
Gaffer |
|
Art Department
Robert De Vestel |
Set Decoration |
|
Eugene Booth |
Property Master |
|
Ray Traynor |
Property Master |
|
Barry Wilkinson |
Props |
|
Rodger Maus |
Art Direction |
|
Herbert Westbrook |
Art Direction |
|
Other Crew
Richard Albain |
Special Effects |
|
Alan Gibbs |
Stunt Coordinator |
|
James M. Halty |
Stunts |
|
Greg Anderson |
Stunts |
|
J.N. Roberts |
Stunts |
|
Frank Orsatti |
Stunts |
|
David Watson |
Stunt Driver |
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