
User rating:
Cast
|
Glenn Close | As: Eleanor of Aquitaine |
|
Patrick Stewart | As: King Henry II |
|
Andrew Howard | As: Richard |
|
Antal Konrád | As: Toastmaster |
|
Rafe Spall | As: Prince John |
Storyline
King Henry II keeps his wife Eleanor locked away in the towers because of her frequent attempts to overthrow him. With Eleanor out of the way he can have his dalliances with his young mistress. Needless to say the queen is not pleased, although she still has affection for the king. Working through her sons, she plots the king's demise and the rise of her second and preferred son, Richard, to the throne. The youngest, John, is an overweight buffoon and the only one holding his father's affection is the king's choice after the death of his first son, young Henry. But John is also overly eager for power and is willing to plot his father's demise with middle brother Geoffrey and the young king of France, Phillip. Geoffrey sees his younger brother's weakness and sees that route as his path to power. Political and court intrigue ensues.
Tagline: | All of Britain and half of France were his kingdom. But there was one thing Henry II would never control . . . His Family. |
Certification: | 15 |
Cast
|
Glenn Close |
Eleanor of Aquitaine |
|
Patrick Stewart |
King Henry II |
|
Andrew Howard |
Richard |
|
Antal Konrád |
Toastmaster |
|
Rafe Spall |
Prince John |
|
John Light |
Geoffrey |
|
Soma Marko |
Young Prince John |
|
Jonathan Rhys Meyers |
Philip |
|
Yuliya Vysotskaya |
Alais |
|
Clive Wood |
William Marshall |
Directed By
|
Andrei Konchalovsky |
Director |
|
Kieron Phipps |
First Assistant Director |
|
Jean Bourne |
Script Supervisor |
Writing Credits
|
James Goldman |
Screenplay |
Production Crew
|
Joyce Gallie |
Casting |
|
Dyson Lovell |
Producer |
|
Sally Osoba |
Casting |
|
Bettina Lyster |
Production Coordinator |
|
Patrick Stewart |
Executive Producer |
|
Robert Halmi Sr. |
Executive Producer |
|
Wendy Neuss |
Executive Producer |
|
Martin Poll |
Executive Producer |
|
Vicki Letizia |
Associate Producer |
|
Paul Lowin |
Co-Producer |
|
Robert Halmi Jr. |
Executive Producer |
Edited By
|
Henry Richardson |
Editor |
|
Yan Miles |
First Assistant Editor |
Costume and Makeup
|
Consolata Boyle |
Costume Design |
|
Erwin H. Kupitz |
Wig Designer |
|
Jánosné Kajtár |
Makeup Supervisor |
|
Noémi Czakó |
Makeup Artist |
|
Anna Tesner |
Makeup Artist |
|
Klári Szinek |
Hairstylist |
|
Rhona McGuirke |
Costume Supervisor |
|
Ildikó Fogt |
Key Costumer |
|
Krisztina Vavrinecz |
Wardrobe Supervisor |
Sound
|
Robert Brazier |
Foley Editor |
|
Ben Brazier |
Sound Editor |
|
Allan Wilson |
Conductor |
|
Pál Szûrös |
Boom Operator |
|
Wayne Brooks |
Sound Effects Editor |
|
Kevin Brazier |
Supervising Sound Editor |
|
Richard Hartley |
Original Music Composer |
Visual Effects
|
Ferenc Ormos |
Special Effects Supervisor |
|
Zoltán Benyó |
Visual Effects Supervisor |
|
Gyula Krasnyánszky |
Pyrotechnic Supervisor |
Camera
|
Sergey Kozlov |
Director of Photography |
|
Mike Frift |
Camera Operator |
|
Attila Csoboth |
Epk Camera Operator |
|
Ken Woroner |
Still Photographer |
|
Egon Endrényi |
Still Photographer |
|
János Kiss |
Key Grip |
|
Balázs Révész |
Steadicam Operator |
Lighting
|
Krisztián Kupi |
Best Boy Electric |
|
Istvan Bolta |
Gaffer |
Art Department
|
Alistair Kay |
Supervising Art Director |
|
Roger Hall |
Production Design |
|
János Szabolcs |
Art Direction |
|
István Tóth |
Set Decoration |
Other Crew
|
Michael Mehimann |
Dialect Coach |
|
Béla Unger |
Stunt Coordinator |
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