User rating:
Cast
|
Vino G. Bastian | As: Tansen Roy Wuisan |
|
Laura Basuki | As: Meilan Tanuwidjaja |
|
Didi Petet | As: Pak Hadi |
|
Titi Qadarsih | As: Ibu Corry |
|
Savitri Nooringhati | As: Ibu Sum |
Storyline
This film about the life of a man named Tansen inherited prickly bread dough that was about 70 years old by his grandfather. On that Tansen's life changed because it had to process the bakery Madre which has long been inactive. and Tansen met with bakeries also named May and they fell in love.
| Tagline: | Apa rasanya jika sejarah hidup kita berubah dalam sehari? |
| Certification: | NC-17 |
Cast
|
Vino G. Bastian |
Tansen Roy Wuisan |
|
Laura Basuki |
Meilan Tanuwidjaja |
|
Didi Petet |
Pak Hadi |
|
Titi Qadarsih |
Ibu Corry |
|
|
Savitri Nooringhati |
Ibu Sum |
|
|
Lisa H. Pandansari |
Ibu Dedeh |
|
|
Gatot W. Dwiyono |
Pak Djoko |
|
Framly Nainggolan |
James |
|
|
Gangsar Sukrisno |
Pak Gandhi |
|
|
R. Chaeruli |
Old Violist |
|
|
Roma Rambeng |
The Driver Lawyer |
|
|
Roni Gunawan |
Barber |
|
|
Nadhira Suryadi |
Jesse |
|
|
Siri Hartayu |
Pianist |
|
|
Madina Monicha |
Receptionist |
|
|
Eriek Nurhikmat |
Photographer |
|
|
Saleh |
Assistant Photographer |
|
|
Ng Ming Sim |
Ibu Fang |
|
|
Darwin Sofjan |
Liem Tanuwidjaja |
|
|
Roy |
Street Painter |
|
|
Fajar Widia |
Group Trio Acoustics 1 |
|
|
Kodrat Widia |
Group Trio Acoustics 2 |
|
|
Syari Haditsyah |
Employee of Tan De Bakker |
|
|
Bjorn Goenawan Schoeck |
Pemilik Toko Kelontong |
|
|
Mustafa Jackson |
Stand In Vino Surfing |
Directed By
|
|
Andrias Sukiman |
First Assistant Director |
|
|
Lelly Anggraeni |
Second Assistant Director |
|
|
Phia Kithink |
Third Assistant Director |
|
Benni Setiawan |
Director |
Writing Credits
|
|
Ade Roy |
Storyboard |
|
|
Dewi Lestari |
Writer |
|
|
Benni Setiawan |
Writer |
Production Crew
|
|
Haidar Bagir |
Executive Producer |
|
|
Gangsar Sukrisno |
Co-Producer |
|
|
Diana Caroline |
Producer's Assistant |
|
|
Mochammad Arif |
Production Manager |
|
|
Chairul Rijal |
Assistant Production Manager |
|
|
Icha Paramitha |
Finance |
|
|
Dedy Sutejo |
Production Assistant |
|
|
Andri Ramdhani |
Production Assistant |
|
|
Ketut Bila |
Location Coordinator |
|
|
Ipunk Purwono |
Post Production Coordinator |
|
|
Wyan Sona |
Casting Director |
|
|
Putut Widjanarko |
Producer |
|
|
Avesina Soebli |
Producer |
|
|
Agus Suhardi |
Line Producer |
Edited By
|
Andhy Pulung |
Editor |
Costume and Makeup
|
|
Achson Jauhari |
Costume Designer |
|
|
Emansyah Bachran |
Assistant Costume Designer |
|
|
Tattun |
Assistant Makeup Artist |
|
|
Lusi Dwiyulianti |
Makeup Artist |
Sound
|
|
Andhika Triyadi |
Music Director |
|
|
Adityar Andra |
Sound Engineer |
|
|
Nadya Fatira |
Vocals |
|
|
Gangsar Sukrisno |
Vocals |
|
Khikmawan Santosa |
Supervising Sound Editor |
|
|
Khikmawan Santosa |
Dialogue Editor |
|
Wahyu Tri Purnomo |
Dialogue Editor |
|
|
Khikmawan Santosa |
Sound Effects Editor |
|
|
Jonet Sri Untoro |
Sound Effects Editor |
|
|
Adhitya Indra |
Sound Effects Editor |
|
|
Jonet Sri Untoro |
ADR Mixer |
|
|
Moch. Zaqi |
Foley Mixer |
|
|
Joko Prawoto |
Foley Artist |
|
|
Wahyu Tri Purnomo |
Sound Re-Recording Mixer |
|
|
Khikmawan Santosa |
Sound Re-Recording Mixer |
|
|
Diaz Vierdi Erwin |
Sound Post Production Coordinator |
|
|
Ferry Setiawan |
Sound Recordist |
|
|
Khikmawan Santosa |
Sound Designer |
Visual Effects
|
|
Didi Komara |
CG Artist |
|
|
Gembong Hardian |
CG Artist |
|
|
Didik Juwandi A. |
CG Artist |
|
|
Dirgantoro Muhammad |
CG Artist |
Camera
|
Bill Tristiandy |
First Assistant Camera |
|
|
Mickey Keceng |
Second Assistant Camera |
|
|
Tibai |
Grip |
|
|
Fahmy J. Saad |
Director of Photography |
Lighting
|
|
Charles Kules |
Lighting Technician |
|
|
Donni Gembel |
Lighting Technician |
|
|
Aziz Fakirun |
Lighting Technician |
|
|
Komenk |
Gaffer |
Art Department
|
|
Roma Rambeng |
Art Direction |
Other Crew
|
|
Ipunk Purwono |
Post Production Supervisor |
|
|
Andy Jujun |
Compositors |
Reviews & Recommendations
Video Gallery
Coming Soon...
Photo Gallery
Coming Soon...
If you like Madre, check these movies out...
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|