
User rating:
Cast
|
Rachel Ward | As: Marge Hills |
|
Bryan Brown | As: Sonny Hills |
|
Sam Neill | As: Neville Gifford |
|
Steven Vidler | As: Sugar Hills |
|
Jennifer Claire | As: Daisy |
Storyline
In pre-WWII Australia, a love triangle develops between a man, his wife and the man's brother.
Tagline: | She's too much of a woman to be any man's wife. |
Certification: | R |
Cast
|
Rachel Ward |
Marge Hills |
|
Bryan Brown |
Sonny Hills |
|
Sam Neill |
Neville Gifford |
|
Steven Vidler |
Sugar Hills |
|
Jennifer Claire |
Daisy |
|
Bruce Barry |
Archie |
|
Peter Cummins |
Ned Hopper |
|
Carole Skinner |
Mrs. Gibson |
|
Clarissa Kaye-Mason |
Mrs. Jackson |
|
Barry Hill |
Mr. Fielding |
|
Susan Lyons |
Mrs. Fielding |
|
Helen Jones |
Rosie Gibbs |
|
Lisa Hensley |
Sylvia |
|
May Howlett |
Mrs. Carmichael |
|
Maureen Green |
Sal Day |
|
Garry Cook |
Gerry Day |
|
Harold Kissin |
Davis |
|
Oliver Hall |
Mick Jones |
|
Sue Ingleton |
Rita |
|
Robert Barrett |
Heckler at Bar |
|
Maurice Hughes |
Sgt. Larkin |
|
Marg Haynes |
Greta |
|
Bill Bader |
Train Guard |
|
Trevor Thomas |
Chemist |
|
Philip Wilton |
Train Porter |
|
Craig Fuller |
Charlie |
|
Peter Ford |
Drunk in Bar |
Directed By
|
Craig Bolles |
Second Assistant Director |
|
Phil Rich |
First Assistant Director |
|
Grant Lee |
Third Assistant Director |
|
Therese O'Leary |
Continuity |
|
Ken Cameron |
Director |
Writing Credits
|
Peter Kenna |
Screenplay |
Production Crew
|
Jan Sharp |
Producer |
|
Liz Mullinar |
Casting |
|
Helen Watts |
Associate Producer |
|
Greg Ricketson |
Production Consultant |
|
Helen Watts |
Production Manager |
|
Fran Lanigan |
Production Accountant |
|
Elizabeth Symes |
Production Coordinator |
|
Lon Lucini |
Unit Production Manager |
|
Gemma Rawsthorne |
Production Accountant |
|
Maude Heath |
Location Manager |
Edited By
|
John Scott |
Editor |
|
Liz Goldfinch |
Assistant Editor |
|
Arthur Cambridge |
Color Grading |
|
Gai Steele |
Assistant Editor |
Costume and Makeup
|
Jennie Tate |
Costume Design |
|
Willi Kenrick |
Hairstylist |
|
Belinda Bourke |
Seamstress |
|
Sally Gordon |
Makeup Department Head |
Sound
|
Ben Osmo |
Sound Recordist |
|
Liz Goldfinch |
Dialogue Editor |
|
Geoff Krix |
Boom Operator |
|
Dany Cooper |
Assistant Dialogue Editor |
|
Anne Breslin |
Sound Effects Editor |
|
Roger Savage |
Sound Mixer |
|
Cameron Allan |
Original Music Composer |
Visual Effects
|
Roger Cowland |
Visual Effects |
Camera
|
James Bartle |
Director of Photography |
|
Peter Menzies Jr. |
Camera Operator |
|
Terry Cook |
Assistant Grip |
|
Carolyn Johns |
Still Photographer |
|
Garry Phillips |
Focus Puller |
|
Susi Stitt |
Clapper Loader |
|
Lester Bishop |
Key Grip |
Lighting
|
Shaun Conway |
Best Boy Electric |
|
Pav Govind |
Gaffer |
Art Department
|
Sally Campbell |
Production Design |
|
Blossom Flint |
Set Decoration |
|
Ty Bosco |
Storyboard Artist |
|
Karan Monkhouse |
Standby Property Master |
|
Leah Cocks |
Art Department Coordinator |
|
Dennis Smith |
Construction Manager |
|
Steve Lyons |
Storyboard Artist |
|
David McKay |
Property Buyer |
|
Oliver Streeton |
Title Designer |
Other Crew
|
Chris Anderson |
Stunt Coordinator |
|
Billy Malcolm |
Scenic Artist |
|
Robert Burr |
Generator Operator |
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