The Orphic Trilogy
Decadent, subversive, and bristling with artistic invention, the myth-born cinema of Jean Cocteau disturbs as much as it charms. Cocteau was the most versatile of artists in prewar Paris. Poet, novelist, playwright, painter, celebrity, and maker of cinema—his many talents converged in bold, dreamlike films that continue to enthrall audiences around the world. In "The Blood of a Poet," "Orpheus," and "Testament of Orpheus," Cocteau utilizes the Orphic myth to explore the complex relationships between the artist and his creations, reality and the imagination.
The Blood of a Poet (1932)
20 January, 1932
Told in four episodes, an unnamed artist is transported through a mirror into another dimension, where he travels through various bizarre scenarios.
Orpheus (1950)
29 September, 1950
A poet in love with Death follows his unhappy wife into the underworld.
Testament of Orpheus (1960)
18 February, 1960
Outside time and reality, the experiences of a poet. The judgement of the young poet by Heurtebise and the Princess, the Gypsies, the palace of Pallas Athena, the spear of the Goddess which pierces the poet's heart, the temptation of the Sphinx, the flight of Oedipus and the final Assumption.