The Orphic Trilogy
Decadent, subversive, and bristling with artistic invention, the myth-born cinema of Jean Cocteau disturbs as much as it charms. Cocteau was the most versatile of artists in prewar Paris. Poet, novelist, playwright, painter, celebrity, and maker of cinema—his many talents converged in bold, dreamlike films that continue to enthrall audiences around the world. In "The Blood of a Poet," "Orpheus," and "Testament of Orpheus," Cocteau utilizes the Orphic myth to explore the complex relationships between the artist and his creations, reality and the imagination.
The Blood of a Poet (1932)
20 January, 1932
In a poet’s room, an armless statue abruptly comes to life. It invites the poet to step through a mirror and to discover another world. Strange places and characters present themselves to him. The poet tears himself away from these twisted fascinations and returns, with some difficulty, to his room.
Orpheus (1950)
29 September, 1950
A famous poet in postwar Paris, scorned by the Left Bank youth, is in love with both his wife Eurydice and a mysterious princess. Seeking inspiration, the poet becomes obsessed and follows the princess from the world of the living to the land of the dead.
Testament of Orpheus (1960)
18 February, 1960
An 18th century poet travels through time in search of divine wisdom. In a mysterious wasteland, he has a series of enigmatic encounters with symbolic phantoms with whom he muses about the nature of art and his own career. Ultimately, the poet strives to achieve his rebirth as a celestial being.